• 10:00 – 11:45 Film Screening of new student works.
• 12:00 – Installation of collective virtual film under a stone vault of Princeton
• 12:30 – 13:30 Lunch
• 14:00 – Zoom report from the “meme-scripting” group
• 14:15 – 16:30 Moholy-Nagy Manual Cinema workshop with Szabolcs Tóth-Zs.
• TBA – Multisensational stage design for the Best Music Video Ever Party
• TBA – Closing Gala: BEST MUSIC VIDEO EVER PARTY

• 10:00 – 11:30 Film Screening: Charles Burnett, The Killing of Sheep (1979).
• 11:30 – 12:30 Discussing students’ notes.
• 12:30 – 13:30 Lunch
• 13:45 – Zoom report from the “meme-scripting” group
• 14:15 – 16:30 Making The Killing of Sheep 3D with Erika Kiss, Farkas Fülöp and Szabolcs Tóth-Zs.

• 10:00 – 12:30 Panel discussion with Farkas Fülöp, Szabolcs Tóth-Zs., Erika A. Kiss – and Edgar Choueiri (not yet confirmed)
• 12:30 – 13:30 Lunch
• 13:45 Zoom report from the “meme-scripting” group
• 14:00 – 16:30 Immersive Filmmaking workshop with Farkas Fülöp (Glowing Bulbs)

(Those not interested in learning about immersive filmmaking can work on meme-scripting of Poetic justice and The Best Music Video Ever.)

• 10:00 – 12:30 Editing workshop with Lydia Cornett: students present their montage exercises to solicit the professor’s feedback.
• 12:30 – 13:30 Lunch
• 14:00 – 16:30 Editing-Scripting workshop with Lydia Cornett, Moon Molson and Erika Kiss using the already prepared ArtHouse Memes montage exercises.

• 10:00 – 10:30 Welcome (Erika A. Kiss on the ArtHouse Memes project)
• 10:30 – 11:30 Lydia Cornett, keynote speaker: Introduction to Montage (15 to 30 minutes for discussing the themes raised)
• 11:30 – 12:30 Panel-discussion on editing imagined as (verbal) syntax and as (architectonic) engineering with Lydia Cornett, Moon Molson, and Farkas Fülöp, moderated by Erika A. Kiss
• 12:30 – 13:30 Lunch
• 14:00 – 15:30 Film screening: György Pálfi, Final Cut (2012)
• 15:30 – 16:30 Discussion of students’ notes on the film with Lydia Cornett, Moon Molson, and Erika A. Kiss

Final Cut is a so-called educational film directed by György Pálfi and produced by Béla Tarr for the Budapest Film University, where it is used regularly as a teaching aid. The film has attracted huge critical attention and was selected to be the closing gala screening of the 2012 Cannes Film Festival.  It serves as a template for our collective film, Poetic Justice (working title), also in terms of copyright and distribution issues. The student “meme-scripting” group will work parallelly all during the week with the help of remote participants, who will send memes from the films for the various basic dramaturgical elements determined by the scriptwriters. This group will report back to the film school each day.