Pat Hartley & Dick Fontaine

I Heard It Through the Grapevine

(1982)

INTRODUCTION
Esther Schor, Professor of English, Chair, Council of the Humanities

PAT HARLEY IN CONVERSTAION
Post-screening discussion and Q&A with Carolyn Rouse, Ritter Professor of Anthropology, and Erika Kiss, Director of Research Film Studio & Film Forum

As part of the Baldwin Circles project, the Humanities Council and the UCHV Film Form present a film screening of the newly restored documentary I Heard It Through the Grapevine followed by a conversation with co-director and co-producer Pat Hartley. I Heard It Through the Grapevine, directed by Pat Hartley and Dick Fontaine, follows James Baldwin as he retraces the history of the Civil Rights Movements after two decades. The film offers a window into the past, as Baldwin makes his way through the American South to listen to the reflections of close friends and central figures of the movement.

PAST EVENTS

UCHV Palazzo Talks & Workshops

ARTHOUSE MEMES FILM FESTIVAL VENICE - 2024

Wendell B. Harris Jr., Chameleon Street (1989)
Post-screening conversation

UCHV Palazzo Talks & Workshops

CONVERSATIONS ON A HIDDEN AMERICAN ARTHOUSE FILM CANON

Julius Onah, Luce (2019)
Ekwa Msangi, Farewell Amor (2020)

UCHV Palazzo Talks & Workshops

CONVERSATIONS ON A HIDDEN AMERICAN ARTHOUSE FILM CANON

Wendell B. Harris Jr., Chameleon Street (1989)
Julie Dash, Illusion (1982)

UCHV Palazzo Talks & Workshops

Tour of Palazzo Mora and Palazzo Bembo

UCHV Palazzo Talks & Workshops

CONVERSATIONS ON A HIDDEN AMERICAN ARTHOUSE FILM CANON

Tour of the ArtHouse Memes Exhibition by Princeton University’s Research Film Studio (with celebratory words from Alan Patten, Director of UCHV)

UCHV Palazzo Talks & Workshops

CONVERSATIONS ON A HIDDEN AMERICAN ARTHOUSE FILM CANON

Julie Dash, Daughters of the Dust (1991)
Charles Burnett, The Killer of Sheep (1978)

UCHV Palazzo Talks & Workshops

Afternoon tour of the national pavilions of the 2024 Venice Art Biennale (optional)

ArtHouse Memes Film Festival & Workshops – Venice

ArtHouse Memes Pedagogy Beyond FilmGPT – Workshop with the Director of the Princeton Research Film Studio about a new digital teaching method

Canceling Spinoza

INTRODUCTION
Daniel Garber, the A. Watson J. Armour III University Professor of Philosophy, and Leora Batnitzky, the Ronald O. Perelman Professor of Judaic Studies

SCREENING
David Ofek
Spinoza: 6 Reasons for the Excommunication of the Philosopher
(2023)

POST SCREENING DISCUSSION
David Ofek, the film's director, and Yitzhak Melamed, the Charlotte Bloomberg Professor of the Humanities at Johns Hopkins University.

ArtHouse Memes Film Festival & Workshops – Venice

Zora Neal Hurston, Ethnographic Fieldwork
Ekwa Msangi, Farewell Amor (2020)
Post-screening conversation

ArtHouse Memes Film Festival & Workshops – Venice

Hidden History of Hollywood: Guided Tour of the ArtHouse Memes exhibit with the Director of the Princeton University Research Film Studio

ArtHouse Memes Film Festival & Workshops – Venice

Hidden History of Hollywood: Guided Tour of the ArtHouse Memes exhibit with the Director of the Princeton University Research Film Studio

ArtHouse Memes Film Festival & Workshops – Venice

Gordon Parks’ Movie Stills on the set of Rossellini’s Stromboli (1950)
Gordon Parks, The Learning Tree (1969)
Post-screening conversation

ArtHouse Memes Film Festival & Workshops – Venice

Roberto Rossellini, ‘Naples’ from Paisan (1946)
Melvin Van Peebles, The Story of a Three-Day Pass (1968)
Post-screening conversation

ArtHouse Memes exhibition opening

ArtHouse Memes is created by the UCHV Research Film Studio of Princeton University for the European Cultural Center Exhibition at the 2024 Art Biennale in Venice, which runs from May to November of 2024 and attracts hundreds of thousands of visitors.

Open to Princeton University ID holders

Daniel Roher

Navalny

(2022)

Academy Award Winner (Best Documentary Feature Film) screening followed by a conversation with Christo Grozev (investigative journalist, Belingcat).

The Anarchitect

Stanley Kramer

Inherit the Wind

(1960)

Screening:
Inherit the Wind (1960), directed by Stanley Kramer

Discussion:
Keith Whittington, William Nelson Cromwell Professor of Politics

FS-W-2024: Between cinema and architecture: film installation made of sound and visual building blocks

  • 10:00 – 11:45 Film Screening of new student works.
  • 12:00 – Installation of collective virtual film under a stone vault of Princeton
  • 12:30 – 13:30 Lunch
  • 14:00 Zoom report from the “meme-scripting” group
  • 14:15 – 16:30 Moholy-Nagy Manual Cinema workshop with Szabolcs Tóth-Zs.
  • TBA – Multisensational stage design for the Best Music Video Ever Party
  • TBA – Closing Gala: BEST MUSIC VIDEO EVER PARTY

FS-W-2024: Between cinema and theater

  • 10:00 – 11:30 Film Screening: Charles Burnett, The Killing of Sheep (1979).
  • 11:30 – 12:30 Discussing students’ notes.
  • 12:30 – 13:30 Lunch
  • 13:45 – Zoom report from the “meme-scripting” group
  • 14:15 – 16:30 Making The Killing of Sheep 3D with Erika Kiss, Farkas Fülöp and Szabolcs Tóth-Zs.

FS-W-2024: Visual and sound montage beyond 2D

  • 10:00 – 12:30 Panel discussion with Farkas Fülöp, Szabolcs Tóth-Zs., Erika A. Kiss – and Edgar Choueiri (not yet confirmed)
  • 12:30 – 13:30 Lunch
  • 13:45 Zoom report from the “meme-scripting” group
  • 14:00 – 16:30 Immersive Filmmaking workshop with Farkas Fülöp (Glowing Bulbs)

(Those not interested in learning about immersive filmmaking can work on meme-scripting of Poetic justice and The Best Music Video Ever.)

FS-W-2024: Scripting a montage-film from “found clips” or: building an airplane while flying it

  • 10:00 – 12:30 Editing workshop with Lydia Cornett: students present their montage exercises to solicit the professor’s feedback.
  • 12:30 – 13:30 Lunch
  • 14:00 – 16:30 Editing-Scripting workshop with Lydia Cornett, Moon Molson and Erika Kiss using the already prepared ArtHouse Memes montage exercises.

FS-W-2024: Montage from celluloid to digital and beyond

  • 10:00 – 10:30 Welcome (Erika A. Kiss on the ArtHouse Memes project)
  • 10:30 – 11:30 Lydia Cornett, keynote speaker: Introduction to Montage (15 to 30 minutes for discussing the themes raised)
  • 11:30 – 12:30 Panel-discussion on editing imagined as (verbal) syntax and as (architectonic) engineering with Lydia Cornett, Moon Molson, and Farkas Fülöp, moderated by Erika A. Kiss
  • 12:30 – 13:30 Lunch
  • 14:00 – 15:30 Film screening: György Pálfi, Final Cut (2012)
  • 15:30 – 16:30 Discussion of students’ notes on the film with Lydia Cornett, Moon Molson, and Erika A. Kiss

Final Cut is a so-called educational film directed by György Pálfi and produced by Béla Tarr for the Budapest Film University, where it is used regularly as a teaching aid. The film has attracted huge critical attention and was selected to be the closing gala screening of the 2012 Cannes Film Festival.  It serves as a template for our collective film, Poetic Justice (working title), also in terms of copyright and distribution issues. The student “meme-scripting” group will work parallelly all during the week with the help of remote participants, who will send memes from the films for the various basic dramaturgical elements determined by the scriptwriters. This group will report back to the film school each day.

Conversation with Agnieszka Holland

Registration is required.

Agnieszka Holland

The Green Border

(2023)

Free and Open to the Public.

Directors Guild Issues Statement in Support of Agnieszka Holland Amid Polish Government Backlash
After Holland's latest film, refugee drama 'Green Border,' was compared by the Polish justice minister to "Nazi propaganda," the director has received a groundswell of support.

The Hollywood Reporter

Agnieszka Holland Defiant Despite ‘Abominable,’ ‘Dangerous’ Attacks as Venice Prize-Winning Refugee Drama ‘Green Border’ Prepares for Polish Theatrical Release

Variety

Trailer

Miguel Coyula

Blue Heart

(2021)

Screening in presence of director:
Corazón azul (2021), a film by

IMDB

Trailer

Angelus Novus – Balancing Act from the Cosmological, Architectonic, Moral and Aesthetic Points of View

Join the bilingual and bicontinental round-table discussion about the principle of self-supporting balance.

Panel discussants: Professors Attilio Pizzigone and Vittorio Paris (University of Bergamo) Erika A. Kiss (Princeton University) in person in Palazzo Mora, Venice, Italy and Professors Sigrid Adriaenssens and Chris Tully (Princeton University) in person in Princeton University, Green Hall 3C3.

Angelus Novus Collaborative,
UCHV Research Film Studio,
Form Finding Lab