The fusion of Burnett’s Killer of Sheep and Shakespeare’s Hamlet is adapted for multiangled screens by Erika Kiss with original music by Olivier Tarpaga. The multidimensional adaptation from the 2D film screen subverts the conventional single fixed-point perspective and the hierarchy it enforces between spectators and the object of their fixed gaze. The immersive cineplay simulates the internal space in which the mind’s eye imaginatively transforms the 2D perception captured by the physical organ of the eyes into a volumized and dynamized space and time continuum that looks back at the mind’s eye from everywhere.

The film-fresco entitled “Assembly & Disassembly” visualizes the analogy between architecture and the architectonic language of the universe, transforming NASA images and arthouse film clips. The film-fresco is also mapped onto the bricks of the vault so that the same interactive AR technology that was used to aid the masons in construction can guide the visitors’ imagination in the virtual construction of a full dome.

Running Time: 14 min

Standing under the center of the Angelus Novus Vault in the garden of Palazzo Mora in Venice while holding up a mobile device equipped with the Plato’s Cave App, one can see the inside of Brunelleschi’s dome of the Santa Maria del Fiore. The inside of the augmented reality dome is “painted” with the animated mashup of the original Vasari fresco depicting The Last Judgement and Kiss’s Assembly/Disassembly. The augmented reality experience via the Plato’s Cave App reveals the coincidence of the self-balancing architectonics in Brunelleschi’s curved space engineering, in Vasari’s vision of Dante’s non-Euclidean, spherical cosmology and in the perfect moral balance of The Last Judgement.